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Writer's pictureEdward Patrick Kranz

Article Review: An epic literary hoax: new book explores 19th-century manuscript forgeries that help


Embarking on a journey into the intriguing world of literary deception and national identity, I recently delved into the article, "An epic literary hoax: new book explores 19th-century manuscript forgeries that helped found a nation," written by Anna Fodor and published on the Radio Prague International website on November 29, 2023. The article explores the discovery and subsequent exposure of two 19th-century Czech manuscript forgeries that played a significant role in shaping the nation's cultural narrative. Recently, I had the opportunity to speak with David L. Cooper, the author of "The Czech Manuscripts: Forgery, Translation, and National Myth," who sheds new light on this historical controversy.


The narrative unfolds in the early 19th century when the Queen's Court and Green Mountain Manuscripts were hailed as seminal texts during the Czech National Revival. Believed to showcase the earliest medieval Czech writing, these manuscripts held a sacred status, contributing to the formation of the nation's identity. It wasn't until 70 years later that their authenticity crumbled, revealing them as clever forgeries. David L. Cooper, in his book, delves into this fascinating saga, offering a fresh perspective on the controversy surrounding these manuscripts.


Cooper outlines the significance of these forgeries during a time when national origins were crucial for romantic nationalism. The Czechs sought evidence of an ancient literary tradition, distinct from German influences. The manuscripts, later proven false, became vital tools in reviving the Czech language culture, providing a poetic tradition that inspired national pride.


Anna Fodor's article, complemented by David L. Cooper's insights, skillfully navigates the complexities of the Czech manuscript forgeries. Cooper's book, "The Czech Manuscripts," not only sheds light on the historical events but also captures the essence of the Romantic period's impact on national identity. As a master bookbinder, I appreciate the nuanced exploration of how these forgeries, despite being exposed, played a crucial role in reviving the Czech language and culture.


The discussion surrounding the skepticism of Dobrovský, an Enlightenment thinker, highlights the tension between commitment to truth and nationalist fervor. Cooper's perspective, acknowledging the manuscripts' historical impact even as forgeries, prompts reflection on the multifaceted nature of cultural preservation and revival. The article effectively communicates the broader implications of this literary deception on the Czech national movement.



In conclusion, "An epic literary hoax" serves as a captivating portal into a chapter of Czech history where manuscripts, though forged, became catalysts for cultural resurgence. David L. Cooper's book provides a deeper exploration of the intricate threads that wove together national identity and literary deception. As a master bookbinder and restorer, this journey through the world of forgeries reinforces the notion that within the pages of a book, even a deceptive one, lies the power to shape the destiny of a nation. The article and Cooper's book together invite readers to ponder the interplay between truth, nationalism, and the enduring influence of literary artifacts on collective memory.

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